Oceania, alongside Eurasia and Eastasia, is one of the three totalitarian superpowers into which the world is now divided. Engraved on the front of the huge white building that houses the Ministry of Truth are three Party slogans: Meanwhile, the nation is perpetually at war with either Eurasia or Eastasia, though as they are currently at war with Eurasia, the Party claims they have never been at war with Eastasia. An equally important enemy is Emmanuel Goldstein, a discredited former leader of the revolution that brought the Party to power who supposedly now heads an underground resistance from abroad.
Through her use of high style language, planned repetition, complex, varied, and intricate sentence patterns, active voice, and vivid accounts of her surroundings, Gilman effectively toys with the emotions of her audience by welcoming them into a world of dancing wallpaper and women trapped behind their imprisoning patterns.
Throughout my college career I have encountered this piece a multitude of times. Just recently I learned that Gilman modeled The Yellow Wallpaper after her own experiences with nervous breakdowns. After reading and rereading her work, I have come to the conclusion that while this piece can be viewed very simply as a dark piece of literature, it can also serve as a means to save other people from meeting the same fate as her main character.
This style of writing requires its users to define their passage by the language it is composed of, rather than letting the information being conveyed take the drivers seat. This level of writing is marked by its ability to move the reader by urging them to take responsibility and therefore, take action.
Gilman utilizes literary devices such as metaphors and similes to elevate her language and make complex comparisons that link two unrelated ideas. By using a series, or parallelism, writers can avoid making sentences that contain too many new functions that only confuse the readers.
Because of this, Gilman is able to pack a lot of information into each of her sentences but the structure of each sentence helps the audience to stay on task and not lose track of the messages she is trying to get across.
Gilman relies heavily on the scheme of unusual word order, as coined by Holcomb and Killingsworth, which reverses predictable word order. Similarly, Gilman uses double dashes and parenthesis quite often throughout her journal-like writing to signal a shift in voice.
Most times, Gilman appears to be whispering to her audience during these moments and breaking away from the main voice she uses throughout the text.
The woman behind shakes it! Anaphora, a scheme of repetition mentioned in Performing Prose, is used throughout this short story by the author when she aims to communicate a strong emotion. Complementing anaphora is epistrophe, which is when writers repeat words at the end of consecutive clauses.
Such a dear baby!
I feel that Gilman captures the frantic nature of a person struggling with mental illness by using short, choppy, fragmented sentences that appear almost journal-like. This short story tells the story of the main character in her own words and the quotes, dashes, parenthesis, and incomplete sentences serve to remind readers of the fact that this story is more or less narrated in a journal sort of manner.
This rather informal type of writing invites the readers to enter into the lonely and misunderstood universe that Gilman is trying to portray.YourLastName1 Date: THE YELLOW WALLPAPER ‘’The Yellow Wallpaper’’ a short story by feminist Charlotte Perkins Gilman basically deals with the much talked about social issue, where women are considered inferior in front of men in all ways.
The unit, "Gothic and the Female Voice: Examining Charlotte Perkins Gilman's The Yellow Wallpaper" is intended for a college preparatory English class that focuses on American Literature in its historical context.
Feb 13, · This is a brief analysis of two important parts of the story. (Gardner et al. Perkins Gilman 83) The above statement signifies the entrapment of women in Charlotte Gilman’s “The Yellow Wallpaper.” Jane does not enjoy looking out the window, not only since because she sees creeping women outside, but also since because the window is barred.
English —Yanover Response Paper #4: A Literary Analysis of Susan Glaspell’s “Trifles” and Charlotte Perkins Gilman’s “The Yellow Wallpaper,”. The Yellow Wallpaper: Biography: Charlotte Perkins Gilman, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.