The transformation of silence into language and action summary

GULF In their underground classroom Gail had available several types of apparatus to record and manipulate light and sound. She commenced throwing groups of figures on a screen, in flashes.

The transformation of silence into language and action summary

Plot Summary Acts 3, 4 and 5 Act 3, Scene 1 Rozencrantz and Guildenstern report to the King that, while Hamlet seems distracted and sad, they do not have a concrete reason for his strange behaviour. The King is now forced to rely upon Ophelia for information about his nephew.

Polonius arranges for Ophelia to be in a place where she will surely meet Hamlet, and then he and the King hide in wait for the Prince to arrive. Hamlet enters talking to himself, in a state of desperation, contemplating suicide: To be, or not to be, that is the question; Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing, end them.

To die; to sleep, No more Hamlet, enraged at all women because of his mother's betrayal, can show Ophelia not a drop of affection. He lashes out at the poor girl, rudely suggesting that she quickly get to a nunnery.

Hamlet charges from the room and Ophelia is left to believe that Hamlet has gone utterly mad. But the hiding King knows better than to blame Hamlet's behaviour on unrequited love.

Fearing for his own safety, Claudius decides to send Hamlet away to England, accompanied by Rosencrantz and Guildenstern. Polonius, who continues to meddle in the whole affair, suggests that the Queen will surely be able to discover what troubles her son, and that she should meet in private with Hamlet after the play, with himself eavesdropping behind the chamber-curtains.

It shall be so: Madness in great ones must not unwatch'd go 3.

The transformation of silence into language and action summary

Act 3, Scene 2 Hamlet coaches three of the Players and stresses the importance of the upcoming performance. They must not overact or improvise, for that will ruin the purpose of the play.

Hamlet then confesses his plan to Horatio and asks him to watch the King's face during the poisoning scene. Hamlet, nervous and excited, lies down at Ophelia's feet. She tries to make conversation, but again, his answers are confusing and hostile.

The Murder of Gonzago begins, and the King is visibly shaken. The King rises and Hamlet responds "What, frighted with false fire?

The King calls for lights and the performance comes to an abrupt end. Hamlet and Horatio are left alone to discuss what has happened.Turnitin provides instructors with the tools to prevent plagiarism, engage students in the writing process, and provide personalized feedback.

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The transformation of silence into language and action summary

May 14,  · Thoughts on “The transformation of silence into language and action” Posted by Philomela on May 14, As I said in an earlier post, I’ve been reading sister outsider by Audre Lorde and I Wanted to talk about her essay The transformation of silence into language and action because it really made me think about some stuff.

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Let Me Tell The Story!: "The Transformation of Silence into Language and Action"